Installation View: VEIN! VAIN! VANE!, at Nathalie Obadia Galerie, Paris
Vein! Vain! Vane!, 2026, Oil paint, oil stick and spray paint on canvas aluminium frame, 100 x 80 cm
VESSEL & VOYAGE II, 2026, oil paint, oil stick and spray paint on canvas, aluminium frame, 42 x 52 cm
VESSEL & VOYAGE I, 2026, oil paint, oil stick and spray paint on canvas, aluminium frame, 42 x 52 cm
Installation View: VEIN! VAIN! VANE!, at Nathalie Obadia Galerie, Paris
Eat it up! Eat it up! Stacked creamed layers of light, 2026, oil paint, oil stick and spray paint on canvas, aluminium frame, 100 x 80 cm
It could have gone on forever, 2026, oil paint, oil stick on canvas, aluminium frame, 100 x 80 cm
The Roses of Heliogabalus, 2026, oil paint, oil stick and spray paint on canvas, aluminium frame, 100 x 80 cm
Installation View: VEIN! VAIN! VANE!, at Nathalie Obadia Galerie, Paris
Installation View: VEIN! VAIN! VANE!, at Nathalie Obadia Galerie, Paris
Installation View: VEIN! VAIN! VANE!, at Nathalie Obadia Galerie, Paris
Senza Titolo, 2026, oil paint, oil stick on canvas, aluminium frame, 40 × 50 cm
Installation View: VEIN! VAIN! VANE!, at Nathalie Obadia Galerie, Paris
So Real, it Is Nearly Memory, 2026 oil paint, oil stick and spray paint on canvas, aluminium frame, 100 x 80 cm
So Real, it Is Nearly Memory, 2026 oil paint, oil stick and spray paint on canvas, aluminium frame, 100 x 80 cm
The Birth Of Rhea Silvia (Jetlag), 2024, oil paint, acrylic paint, gesso, spray paint, oil stick, photochromic film on linen canvas, aluminium frame, 180 x 180 cm
Installation View: The Birth Of Rhea Silvia (Jetlag), 2024
Installation view, The Birth Of Rhea Silvia (Jetlag), 2024, and Marble Eyes, 2024, at Nathalie Obadia Galerie x Rhinoceros Galerie, Rome
The Ecstasy of Persephone, 2025, oil and acrylic paint, oil stick and spray paint on canvas, aluminium frame, 100 x 80 cm
Separation, 2025, oil paint, oil stick and spray paint on canvas, aluminium frame, 100 x 80 cm
Separation, 2025, oil paint, oil stick and spray paint on canvas, aluminium frame, 100 x 80 cm
Twins, 2025, diptych, oil on canvas, aluminium frame, 18 × 24 cm each without frame.
Downloading, 2022, oil paint on canvas, 20 × 26 cm
La Chimera (Jetlag), 2024, oil paint, oil stick and spray paint, photochromic film on canvas, 200 × 150 cm
Installation of La Chimera (Jetlag), 2024
Detail of: La Chimera (Jetlag), 2024, oil paint, oil stick and spray paint, photochromic film on canvas, 200 × 150 cm
Installation View of exhibition : WHAT IS YOUR SUBSTANCE, WHEREOF ARE YOU MADE?’ At Nathalie Obadia Galerie, Bruxelles, BG
STRIPPING IT (The Skinning of San Bartolomeo), 2024,oil paint, oil stick and spray paint, photochromic film on canvas, 200 x 170 cm
Installation View of exhibition : WHAT IS YOUR SUBSTANCE, WHEREOF ARE YOU MADE?’ At Nathalie Obadia Galerie, Bruxelles, BG
HOLDING IT (SAN BARTOLOMEO SKIN), 2023-2024,Oil paint, oil stick and spray paint, photochromic film on canvas 200 x 170 cm
Installation view HOLDING IT (SAN BARTOLOMEO SKIN),
WEARING IT, THE SUNS ARMOUR (SAN BARTOLOMEO SKIN) 2023-2024, Oil paint, oil stick and spray paint, photochromic film on canvas
Marble Eyes (Shapeshifter), 2024, oil, acrylic, spray paint, UV-printed photochromic film on canvas and aluminium frame, 100 × 80 cm
Installation view Marble Eyes (Shapeshifter), 2024
Apparizione, 2020, oil, acrylic, spray paint on canvas and aluminenium frame, 30 × 24 cm
Installation View of exhibition : WHAT IS YOUR SUBSTANCE, WHEREOF ARE YOU MADE?’ At Nathalie Obadia Galerie, Bruxelles, BG
Installation view Echo Falls, 2024
And You, But One, Can Every Shadow Lend, 2024, oil, acrylic, oil stick and spray paint, photochromic film on canvas and aluminium frame, 220 × 190 cm
The Skinning of San Bartolomeo, 2023, oil paint, acrylic paint, gesso, spray paint, oil pastel, oil stick, photochromic film on linen canvas, aluminium frame, 180 × 180 cm
Detail of The Skinning of San Bartolomeo, 2023
Installation view of exhibition : JETLAG, Lullaby To The Tick of two clocks, Spiaggia Libera Galerie, Paris
Installation view of exhibition Jetlag, Lullaby To The Tick Of Two Clocks, Spaiggia Libera Galerie, Paris, 2023
MIMIC, TEAR, ASHES, 2022, oil paint, acrylic paint, gesso, spray paint, oil pastel, photochromic film on linen canvas, aluminium frame,193 x 187 cm
Detail of MIMIC, TEAR, ASHES, 2022
Installation view of exhibition : JETLAG, Lullaby To The Tick of two clocks, Spiaggia Libera Galerie, Paris
Detail of The Devil’s Tale, 2023
Installation of The Devil’s Tale, 2023, oil paint, oil stick and spray paint on canvas, aluminium frame, 180 x 80 cm
Installation view of exhibition : JETLAG, Lullaby To The Tick of two clocks, Spiaggia Libera Galerie, Paris
Flash & Bones, 2024, oil, acrylic, spray paint, canvas and aluminium frame,100 x 80 cm
Flash & Bones, 2024, oil, acrylic, spray paint, canvas and aluminium frame,100 x 80 cm
installation of: Narciso, 2022
Narciso, 2022, oil, acrylic, spray paint, painted, photochromic film on linen canvas, aluminium frame, 50 × 40 cm
Narciso, 2022
The work changes colour in response to UV light. Left: before exposure. Right: with the photochromic film activated.
Romana Londi with Who Real (Jetlag), 2024, at Miart Art Fair, 2024
Detail of Who Real (Jetlag), 2024
Installation view of Who Real (Jetlag), 2024
You Are There, Like My Skin, 2023, oil paint, oil stick and spray paint on canvas, aluminium frame, 180 x 80 cm
All Flowers In Time Bend Towards The Sun (Jetlag), 2024, oil, acrylic, spray paint, painted photochromic film on linen canvas aluminium frame, 180 x 180 cm
Detail of All Flowers In Time Bend Towards The Sun (Jetlag), 2024
Hewn From Darkness, Forged From Light (Jetlag), 2024, oil, acrylic, spray paint, oil stick, painted photochromic film on linen canvas and aluminium frame, 180 x 180 cm
Installation view of Hewn From Darkness, Forged From Light (Jetlag), 2024
Apple Riped, 2026, oil paint, oil stick and spray paint on canvas, aluminium frame, 100 x 80 cm
Echo’s Bones and Other Precipitate, 2023, oil paint, oil stick and spray paint on canvas, aluminium frame, 195 × 150 cm
Exhibition view, Odyssea. Acte I : Le chant des sirènes, LA PLAGE, Spiaggia Libera Galerie, Marseille, 2024. Photo © Gregg Bréhin 2023
JETLAG I, 2021, oil paint, oil stick and spray paint, photochromic film on canvas, aluminium frame, 100 x 80 cm
Exhibition view, « PLANET B, Climate Change and the New Sublime », Radicants Internationals, curated by Nicolas Bourriaud, Palazzo Bollani, Venice, Italy, 2022. © Andrea Avezzù..
Lullaby, To The Tick of Two Clocks, 2021, oil paint, oil stick and spray paint, photochromic film on canvas, aluminium frame, 250 x 145 cm
Sentient I, 2024, Uv printed photochromic film on canvas, aluminium frame, unique piece, 50 × 40
Installation view of Cosmovisions, curated by Nicolas Bourriaud, Premio Michetti 2026, Fondazione Michetti, CH, Italy, 2026
Installation view of Sentient I, Sentient II, Sentient III, MIART, Spiaggia Libera Galerie, Milan
Sentient II, 2024, Uv printed photochromic film on canvas, aluminium frame, unique piece, 50 × 40
Sentient I, 2024, Uv printed photochromic film on canvas, aluminium frame, unique piece, 50 × 40,
Sentient I, 2024, Uv printed photochromic film on canvas, aluminium frame, unique piece, 50 × 40,
Primavera Silenziosa,, 2024, Uv printed photochromic film on canvas, aluminium frame, unique piece, 150 × 196 cm
Primavera Silenziosa during the installation of Cosmovisions, curated by Nicolas Bourriaud, Premio Michetti 2026, Fondazione Michetti, CH, Italy, 2026
Primavera Silenziosa, 2024, Uv printed photochromic film on canvas, aluminium frame, unique piece, 150 × 196 cm
To the Tick of Two Clocks, 2023, UV print on photochromatic film on canvas, 182 x 134 cm.
To the Tick of Two Clocks, 2023, UV print on photochromatic film on canvas, 182 x 134 cm.
Shapeshifter, 2022, UV print on photochromatic film on canvas, 18 × 24 cm.
Shapeshifter, 2022, UV print on photochromatic film on canvas, 18 × 24 cm.
The Other, Sentient II, 2026, oil paint, oil stick and spray paint on canvas, aluminium frame, 40 × 50 cm
Installation view of The Other, Sentient II, 2026
Icarus Fall, 2017, Oil, acrylic, spray paint, oil stick on unprimed cotton, aluminium frame, 200 × 150 cm
Senza Titolo, 2021, acrylic, oil stick and spray paint on black faux leather, aluminium frame, 200 × 150 cm
Installation view of Senza Titolo, 2021
The Eyes Of The Skin, acrylic and ink on faux leather, aluminium frame, 18 cm X 26 cm
The Eyes Of The Skin II, acrylic and ink on faux leather, aluminium frame, 20 cm X 20 cm
Oh lord! Make them great, and keep me innocent, 2018, Oil, acrylic, spray paint, oil stick on unprimed cotton fabric, wood frame, 200 × 150 cm
Installation view of Oh lord! Make them great, and keep me innocent,, 2018, at PLAYED, Ebensperger Gallery, Salzburg, Austria
Detail of Oh Lord Make Them Great And Keep Me Innocent, 2016
Installation view at Mademoiselle, 2018, CRAC, Sete, FR
Installation view at Mademoiselle, 2018, CRAC, Sete, FR
Installation view at Mademoiselle, 2018, CRAC, Sete, FR
BLUSHING, (PINK AS FUCK), 2016-2018, photochromic medium on linen, alluminium frame, 200 cm x 150 cm
Installation view at Mademoiselle, 2018, CRAC, Sete, FR